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The project aims to question current non-interventionism models of forest preservation in Longjing region, Hangzhou. This attitude towards forest management can be traced back to the Chinese government’s propagandistic ambition since the 1950s, which generated a series of strict regulations that restricted local tea farmers’ rights and tradition to inhabit, exploit and co-exist with the forest. The architecture manifests as part of the new community forest plan to empower locals to participate in the forest administration. It aims to re-establish the community’s core identity as forest residents while highlighting ecological concerns by providing places for inhabitation and infrastructures of forest preservation.
The proposed architecture grows with the forest, eventually becoming one with nature and vanishing with time. Poetically, the scheme mirrors the fate of individual tea farmers: In a hundred years, it will either hint at the details of people's joyful forest life, a paean to the people’s struggle against forest degradation, or be a monument in a decayed forest to warn future generations.
The architecture takes ten years to build, ten to inhabit, and twenty to decay. The architecture and people will eventually be gone, but the forest will be overgrown and inhabitable again.
In the day of White Dew, tea farmers from Longjing, Shuangfeng, and Meijiawu villages get up at 6am, gather by the lake, then march to the mountain top. They hold their annual election as well as celebratory banquet in the Tea Parliament.
Metabolising and decaying during construction and inhabitation, people craft components with biodegradable materials found in the forest. Tree trunks are its bones, branches its tissue, and mycelium boards grown in the forest envelope the scheme.
Fog, light, rain... may these banal phenomena in the forest be appreciated again.