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The Point cinema multiplex, an iconic building located in the heart of Milton Keynes, has been slated for demolition. Rather than accepting a tabula rasa restart, an alternate future inspired by the building’s cinematic history is proposed where the site is transformed into an open-air film set.
Through temporary, light and modular structures and materials, and a selective retention of existing elements, the project provides only the framework atop which sets are built and torn down. The oscillating states of demolition and reconstruction strip back the veil of cinema presented to the public, showing the ugly side of it all: the unseen, personified by the mix of unfinished and permanent materials and structures. From pre-production to active filming, to post-production, the public is immersed in the world of cinema-making, though never shown the polished final product.
The project addresses the question of how architecture can be decommissioned. In aiming to act in both a state of ruin and usability, the building stays true to itself in function and in symbolism, aiming to fill the gap of cultural identity in Milton Keynes via a former city symbol.
Charcoal erasure exploring the selective demolition and transformation of existing elements. Solids are removed or rendered translucent, while structures become flexible backdrops for set construction.
Memories shared online by local citizens provide key development points for the demolition and reconstruction of the cinema complex, continuing the cinema’s filmic life.
Film set elements are introduced as permanent interactive displays and temporary backdrops for visitors and film crews alike. The stages of production are revealed throughout the journey.
Circulation through the project is performed at multiple levels, experiencing previously inaccessible vantage points to the evolving film site.
Much like memories, the physical backdrop remains, allowing future memories to form via an everchanging film stage.