The project takes Timothy Morton’s theory of hyperobjects as a testing ground to create a drawing system that translates hyperobject principles into architecture. The philosophical approach to high dimensional systems is spatialised through digital simulations, focusing on the Jurassic Coast of England. The project creates a drawing method performed by the fossils inhibiting the Portland stone, drawing themselves as three dimensional entities. Using generative systems, a projection-based drawing system is created which maps itself onto the dynamic grid – a digitally simulated landscape.

Using this process, the outcomes embody the instability within architecture focusing on the intangible qualities that define architectural experiences. As a result, the architectural grid generates the principles of viscosity, interobjectivity, non-locality and phasing as an entangled web. When any fragment of the building is changed, the entirety of the design readjusts itself for the new configuration, switching to a more suitable version for the changing context. The building clusters alternate between countless options offering ambiguous boundaries and everchanging design outcomes.