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In the mountainous regions of central Guatemala, mega-infrastructure projects such as hydroelectric dams lead to the forced displacement of local, Mayan farming communities.
Protests against such projects continue to claim the lives of dozens of indigenous activists. This project imagines an alternative reality in which one such dam is constructed and reclaimed by local people as a site of pilgrimage and memorial to the lives lost.
The new dam structure provides a stage for the performance of rituals and festivities whose degree of transience relates to the Mayan calendar. Both the architecture and the scenes that unfold within its walls take inspiration from ancient Mayan mythology and the magical realist novellas of writer, Miguel Ángel Asturias.
Its architectural forms incorporate elements that reflect the country’s mixed cultural heritage: from robust Mayan temples to elaborately ornamented baroque churches and the carefully crafted, sculptural design of contemporary Mesoamerica. The building is shaped by the passage of time, the flow of water and human activity in a manner that contrasts the traditionally inexorable structure of a dam.
A loose narrative shapes the film and architecture with mythology drawn from the Popol Vuh Mayan creation book, as well as the magic realist writings of Miguel Ángel Asturias.
Water faucet in the temazcal steam room, altar shaped by fungi, cavernous atrium shaped by water.
Characters are introduced to express the relationship between each space and the activities designed to take place within them. These are digitally sculpted and brought to life with specially designed and simulated clothing.
Beneath the bell tower lies a monumental crypt and altar inspired by the extravagance of latin baroque churches. The altar has a strange fungal structure that appears decayed by time and the mushrooms that adorn it.
The film follows four rituals: The refurbishment of the dam, happening every 52 years; the Temazcal, a spiritually cleansing steam bath; a psychedelic mushroom ceremony; and a final act based on the yearly Rab'in Ajaw festival from the city of Cobán.