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Sweeping a wide graphite block across a blank page is a two-dimensional act, yet the resulting image seems to contain three-dimensional data. The proceeding studies attempt to decipher this seemingly three-dimensional information using architectural drawing conventions, and further use this drawing technique as a set of manufacturing instructions for stone cutting. The straight edge of the drawing tool has ramifications in the forms that are drawn. They are developable, singularly-curved ribbons which lend themselves to being made in certain ways.
Beyond this the project is rigorous, yet-incomplete, research into the consequences of precisely splitting a stone. Stone is resurging in popularity in architecture today due to its environmental credentials. This project looks to expand upon its future use and demonstrate it as an even more dexterous material.
The Sweep's three-dimensionality is extracted using the drawing conventions of two-point perspective. In doing this, an alternative analogue process of developing a curved architecture is experimented with.
The building is designed through a series of perspectives, whereby a sweep is drawn in response to a proxy-version of the building. Using the horizon and vanishing points, it is possible to project it's plan view onto the architectural plan.
A scaled demonstration of how robotically-controlled sculptural quarrying could take place on site using the sweep as the manufacturing instruction.
Two singularly curved forms from one block with minimal waste. Both sides of the cut are controlled and can be used within the architecture showing maximum yield from the stone.
Stone cannot perform all roles in a building. The stone has been scribed onto a timber post. This creates an alternative to all steel/concrete footings.