unit-code
This project takes interest in the sublime, defined as the perception of danger from a place of safety.
The primary school acts as a safe environment through which the powerful industrial processes that support us can be viewed. This is conceived by integrating factories directly into the school, separated from the pupils by a thin, semi-permeable membrane. The school also investigates the sublime’s link to regional identity through its use of twin sites at either end of Northern England.
In the 20th century, industrial infrastructure was replaced in Northern England, destroying an old way of life based around factories, and separating the consumer from the means of production. This project acknowledges the transition from the industrial to post-industrial in England for a new generation of children.
Steiner schools were originally founded as a response to the industrial revolution and looked to reconnect with a way of life situated in the landscape sublime. In the post-industrial West, Steiner schools can reconnect children with both the landscape sublime and the industrial sublime.
Steiner eurythmics guide rhythm in order to teach. The base level of the school utilises the spectacle of industry to stimulate rhythms and play with focus. The machinery in the factory is harnessed to either boost performance or relax students.
The programme is two identical schools for ages 6-14 on twin sites. Architecture that makes sense in one becomes mysterious in the other. The base level houses a processing facility, a bread factory in Sheffield and a hydro-electric plant in Berwick.
A cantilever splits the structure into three biomes – heaven, sea and underworld – so pupils have three methods of framing their surroundings. The water level collects and filters rain to create an artificial lake that brings in the natural sublime.
In J.M.W. Turner's paintings, the individual can attain a sense of their own scale by observing the terrifying power of nature and technology. This feeling is known as the industrial sublime. Project one explored this by redesigning parts of London.
An exploration of how technology can bridge volatile and peaceful states of nature on a monumental scale. The catchers stretch up to a kilometre to reach the clouds and act as ultra-low-resistance paths to the ground for energy capture.