unit-code
The philosophy of the project had a key questions at its centre:
How can one as an architect make a difference? Can it be done by highlighting hidden stories, qualities of places, based on personal readings of what matters there? Could it be about recognising a hidden, forgotten event/ quality, or even imagining an alternative reality?
The public square has been a reference point for the project. More specifically, the power and vital role we play in the city in outdoor collective places and spaces has been the epicentre of our investigation. The square is seen as a place of identity, a place which enhances our quality of collective and individual experiences. A place that can enable, encourage and host unplanned, unforeseen experiences for a group or an individual.
Together, we questioned how design can be used to connect people together; how we achieve radical transformations of such public spaces though minimal means?
The Year One cohort was split across 6 public squares in London.
Guildhall Yard, a historic civic place which lies dormant, was temporarily filled with performance and sound to re-enact past memories. Movements of the body, costume, and sound are harmonised, enabling memories of Guildhall Yard to resurface.
The response to Neals Yard was to host a performance that accentuates the curated nature of the space. Drawing on existing protagonists on the site, we created four contraptions exploring the gestures and exchanges of the yard.
Arnold Circus stands on the site of the demolished Old Nichol Slum. The installation resurfaces the buried by reimagining architectural and domestic elements in the Victorian slum, inviting the community to recall the contested history of the site.
South End Green’s fountain is a reminder of the River Fleet that flowed down from Hampstead Heath. A collection of found objects (cans, bottles, lighters, canisters) are displayed underneath a cloud of fabric draped around the fountain.
The installation reinvigorates historic remnants of Queen Square, refocusing the site back on the Queen. Through the use of forced and false perspective, the royal procession reinforces the royal intimacy shared by the Queen and her husband.